The Story/History of Japan: Producing Knowledge by Integrating the Study of Japanese Literature and Japanese History
DOI:
https://doi.org/10.5195/jll.2021.68Abstract
This essay discusses the benefits to student learning when we integrate the study of Japanese literature and Japanese history through the curricular model of "linked courses." The essay begins by examining the process of linking an introductory Japanese literature course and introductory Japanese history course, and continues by explaining its pedagogical advantages. Specifically, the collaboration of literary and historical study provides students greater access to the material and, subsequently, the opportunity for deeper analysis. Students can better understand how historical context informs the literature and how literary representation enhances historical knowledge. But in addition, this teaching model provokes broader questions about the production of knowledge itself: the disciplinary integration creates a learning environment in which we can ask how we know what we know, or in this case, how we come to understand both the "story" and the "history" of Japan.References
Bentley, John R. “The Birth and Flowering of Japanese Historiography: From Chronicles to Tales to Historical Interpretation.” In The Oxford History of Historical Writing, Volume 2: 400-1400. Eds. Sarah Foot and Chase F. Robinson. Oxford: Oxford University Press, 2012.
Ericson, Steven J. “Literature in the Japanese History Classroom.” Education About Asia, 6.1 (Spring 2001): 48-51.
Jameson, Fredric. The Political Unconscious: Narrative as a Social Symbolic Act. Ithaca, NY: Cornell University Press, 1981.
Keene, Donald. Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century, A History of Japanese Literature, Volume 1. New York: Columbia University Press, 1999.
Kōbo Daishi. “Kūkai and His Master.” In Anthology of Japanese Literature: From the Earliest Era to the Mid-Nineteenth Century. Ed. Donald Keene. New York: Grove Press, 1955.
Kubota, Ryuko. “Critical Teaching of Japanese Culture.” Japanese Language and Literature, 37.1 (April 2003): 67-87.
Lehman, Robert S. Impossible Modernism: T. S. Eliot, Walter Benjamin and the Critical of Historical Reason. Stanford: Stanford University Press, 2016.
Maier, Carol and Francoise Massardier-Kenney. “Choosing and Introducing a Translation.” In Literature in Translation: Teaching Issues and Reading Practices. Eds. Carol Maier and Francoise Massardier-Kenney. Kent, OH: Kent University Press, 2010.
--- and Francoise Massardier-Kenney. “Introduction.” In Literature in Translation: Teaching Issues and Reading Practices. Eds. Carol Maier and Francoise Massardier-Kenney. Kent, OH: Kent University Press, 2010.
Marcus, Marvin. Japanese Literature From Murasaki to Murakami. Ann Arbor: Association for Asian Studies, Inc., 2015.
Mulhern, Chieko Irie. “On Teaching Japanese Literature,” Journal of the Association of Teachers of Japanese, 16.1 (April 1981): 64-71.
Sato, Masayuki. “A Social History of Japanese Historical Writing.” In The Oxford History of Historical Writing, Volume 3: 1400-1800. Ed. Daniel Wolff. New York: Oxford University Press, 2012.
Schirokauer, Conrad, David Lurie, and Suzanne Gay, A Brief History of Japanese Civilization, Fourth Edition. Boston: Wadworth, Cengage Learning, 2018.
Seidensticker, Edward G. “The Tale of Genji: An Historical Overview.” In Masterworks of Asian Literature in Comparative Perspective: A Guide for Teaching. Ed. Barbara Stoler Miller. New York: Routledge, 2015.
Shirane, Haruo. “The Imaginative Universe of Japanese Literature.” In Masterworks of Asian Literature in Comparative Perspective: A Guide for Teaching. Ed. Barbara Stoler Miller. New York: Routledge, 2015.
---. “Redefining Classical Japanese Literature and Language: Crisis and Opportunity.” Japanese Literature and Language, 37.2 (Oct. 2003): 155-165.
White, Hayden. “Storytelling: Historical and Ideological.” In The Fiction of Narrative: Essays on History, Literature, and Theory, 1952-2007. Ed. Robert Doran. Baltimore: Johns Hopkins University Press, 2010.
---. “The Structure of Historical Narrative.” In The Fiction of Narrative: Essays on History, Literature, and Theory, 1952-2007. Ed. Robert Doran. Baltimore: Johns Hopkins University Press, 2010.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.
- Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
- The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 Licenseor its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
- Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
- The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.
- Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.
- The Author represents and warrants that:
- the Work is the Author’s original work;
- the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
- the Work is not pending review or under consideration by another publisher;
- the Work has not previously been published;
- the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
- the Work contains no libel, invasion of privacy, or other unlawful matter.
- The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.
- The Author agrees to digitally sign the Publisher’s final formatted PDF version of the Work.